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Geometric composition in earth tones Painting on canvas

 READY TO HANG: The painting Geometric Composition In Earth Tones is a high-quality Giclée art print on canvas. You can choose between two formats: stretched on wooden bars (Gallery Wrap), ready to hang with included hardware, or rolled in a protective tube, ideal for custom framing. The rolled option is more affordable and can help save on costs if you plan to have the canvas framed at any local shop. We offer free shipping to the USA and Canada.
 ORIGINAL WALL ART: Geometric Composition In Earth Tones is a unique artwork, created exclusively by PastelBrush and available only through this gallery. It is not part of other art stores’ collections, which gives it a distinct sense of exclusivity and authenticity. This uniqueness makes the piece a distinctive choice for those who value originality over mass-produced designs.
 PAINTED LOOK: Experience special feelings! Thanks to our Giclée printing technique, the print is almost like a traditional artwork, with everything from color clarity to brushstroke feel. It’s like having an original painting on your wall, but at a better price.
 MADE IN THE USA: The artwork is sold as a high-quality print on Premium Fine Art 380g/m² Cotton Canvas (the same canvas used by traditional artists) and varnished like an original oil painting. Read more information about how we create our abstract Giclée prints: HERE >>

$127.09

Worry-Free Purchase: You have 14 days to return your order if, after opening the package, you are not completely satisfied with the print quality.

Description of the Painting

A composition assembled from the full register of earth — raw amber, warm umber, the deep brown of old wood, cream the colour of sun-dried plaster, and a black that arrives in the upper left with the finality of something decided. The forms are loosely geometric, their edges drawn with a hand that did not use a ruler, giving the whole painting the quality of something worked rather than planned — imperfect in the way that handmade things are, and more alive for it. White breathes through the composition at intervals, not as background but as participant, holding open the spaces between the warmer forms. The brushwork is visible and unhurried, each stroke comfortable in its direction. This is a painting of the earth palette taken to its full range — from pale sand to near-black — and finding, in that range, something complete.

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