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Geometric composition in white, beige and brown Painting on canvas

 READY TO HANG: The painting Geometric Composition In White, Beige And Brown is a high-quality Giclée art print on canvas. You can choose between two formats: stretched on wooden bars (Gallery Wrap), ready to hang with included hardware, or rolled in a protective tube, ideal for custom framing. The rolled option is more affordable and can help save on costs if you plan to have the canvas framed at any local shop. We offer free shipping to the USA and Canada.
 ORIGINAL WALL ART: Geometric Composition In White, Beige And Brown is a unique artwork, created exclusively by PastelBrush and available only through this gallery. It is not part of other art stores’ collections, which gives it a distinct sense of exclusivity and authenticity. This uniqueness makes the piece a distinctive choice for those who value originality over mass-produced designs.
 PAINTED LOOK: Experience special feelings! Thanks to our Giclée printing technique, the print is almost like a traditional artwork, with everything from color clarity to brushstroke feel. It’s like having an original painting on your wall, but at a better price.
 MADE IN THE USA: The artwork is sold as a high-quality print on Premium Fine Art 380g/m² Cotton Canvas (the same canvas used by traditional artists) and varnished like an original oil painting. Read more information about how we create our neutral abstract Giclée prints: HERE >>

$93.28

Worry-Free Purchase: You have 14 days to return your order if, after opening the package, you are not completely satisfied with the print quality.

Description of the Painting

Almost entirely white — and the almost is everything. Raised panels of cream and bone fill the canvas in a modular grid, each form casting a faint real shadow into the groove beside it, the whole surface having the tactile presence of relief sculpture rather than flat painting. The seams are warm taupe, giving the structure the feel of aged grout or the gaps between stones in a wall that has settled into itself over time. Into this world of disciplined quiet, two passages of deep terracotta and small accents of black arrive in the right half like notes struck in an otherwise resting chord — not disruptive, but essential, the colour that allows everything around it to be the white it has always been. A painting to live with rather than look at: one that gives something new each time the light in the room changes.

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